Super Eagles Crash Against Tunisia

On Sunday, the hopes of a nation were dashed against the rocks as the Super Eagles crashed out of the AFCON against Tunisia. Wow! We sincerely didn’t see that coming. And this was supposed to be the dream team. Nigerians were just beginning to hope. I honestly was already looking forward to the semi finals. Sadly, that was not to be the case.

We were still basking in the euphoria of taking 9 points out of a possible 9 in the group, stages. What more? We got to troll Ghana as they exited the Nations Cup. Then, came the news that Nigeria was to play Ghana in the World Cup qualifier playoffs. We were already making mouth as to how we would destroy the pride of our Ghanaian brothers.

Sunday came. On the other hand, paired against Tunisia, one of the best losers who managed to qualify with a mere 3 points, this was supposed to be a walkover of a game. In addition, the Tunisian team were covid-hit and had limited players available. However, for a side that won all three of their group games and even rested the majority of their stars for their previous match, tournament favourites Nigeria looked out of ideas in the face of some heroic defending.

Subsequently, things went from bad to worse, as substitute Alex Iwobi was shown the red card. Umar Sadiq had the best chance to add to the cup’s growing repertoire of late drama, only to see his shot roll across the face of the goal and wide of the far-post. In conclusion, it wasn’t the night for the Super Eagles, who had their wings clipped against Tunisia

What’s Next?

So, it is what feels like an early exit. Back to the drawing board for Nigeria’s Eagles. Sunday was a dark day, especially if you are an Arsenal fan, who dropped precious points again in the race for the top 4 in the premier league, and can’t seem to win a game at the moment.

Nigeria is out, but you can still keep up with the action at this year’s AFCON. Make your Cable TV paymentspay electricity billsbuy airtime and data easily with VTpass. It’s as easy as click, pay and go to stay connected and enjoy the 2021 AFCON action live!

Super Eagles Soaring at AFCON

On Wednesday night, we got to witness the Super Eagles of Nigeria soar to a 2 – 0 win against Guinea Bissau in their third game of the group stages of the AFCON. The eagles in doing so, became the only side at this year’s AFCON to record a 100% record in the group stages. The only side. That’s some feat!

Nigeria had already won the group before kick-off, reward for victories recorded against Mohamed Salah’s Egypt and Sudan. It’s the first time that the super eagles of Nigeria have won all three AFCON group matches since 2006. Champions in 1980, 1984 and 2013, is it too early to start dreaming of a fourth?

Time will tell. Nigeria is definitely up there though with the likes of Cameroon and Senegal as one of the tournament favourites. And with their record, many sides will be looking to avoid them when the last 16 draw is done.

Hope or Not?

While there are still some good teams in the competition, the Super Eagles go into the draw full of confidence. This team has done well for themselves. Considering the fact that they have played 3, scored 6, and gotten 9 points out of a possible 9, they have done well indeed. What more? They are actually playing good football. This actually looks like a team, rather than the usual composition of individuals we are used to getting.

Truth is, many of us wrote them off before they even kicked a ball. We have had our hearts broken too many times that optimism was on very short supply. However, this current crop have us believing again.

Whichever way it goes, don’t miss out on any of the action at this year’s AFCON. You can easily make your Cable TV paymentspay electricity billsbuy airtime and data with VTpass. It’s as easy as click, pay and go to pay your bills, stay connected, and enjoy the 2021 AFCON action live!

Hip-hop: The story and theory

Hip-hop is one genre of music that is generally the hype and glitz of any thriving urban city. Really, it is a unique blend of sounds that make the heart throb and makes the ear bounce. And if there is any one thing a music lover will tell you. It is that Hip-hop is life with a garnish of gyrational rhythms and beats. More so, Chuck-D, a prolific rapper, music producer, author and activist, made a profound revelation in an interview. He said, “Hip-hop is about being who you are”. Really, this statement inspires some inner thought and just about explains what Hip-hop is. And more than anything, it is on this axis that we have seen lots and lots of hip-hop releases that continue to blaze the trail.

hiphopIn fact, most people live and breathe hip-hop. They listen to it for as long as they can and through any such medium available. For one, most people prefer physical contacts with hip-hop artists, paying just about any amount to watch them perform on stage. But recently, the large influx of hip-hop influences has come from the online platform. So that through YouTube, SoundCloud, Spotify, Worldstarhiphop and other social networking sites, people get to download, listen to and share songs. Whatever the medium might be, VTpass, an online payment platform, grants easy and speedy access to the internet, hence, enabling you to connect to your favourite hip-hop jams. By logging on to www.vtpass.com, you get to buy your airtime and internet data in just three easy steps. Through www.vtpass.com, you can also make easy payment for your electricity bills, cable TV subscriptions and so on.

There is no need questioning the continuity of hip-hop or seeing an end to it. Because there is clearly no end. Hip-hop has seeped into our daily lives so that we might be nothing without the feverish and charismatic melodies. But then, it won’t be too out of place to find its beginning and give it a root? So then, what is the story of hip-hop, especially in Nigeria?

Generally, hip-hop started out as a culture in South Bronx, one of the five boroughs in New-york. Although it seems music is all there is to hip-hop, there are actually other facets of this culture. For one, deejaying, breakdancing, beatboxing, rapping and graffiti art are other aspects of HIP-HOP. As Ronald Savage, the son of Hip-hop movement would say,

Hip is the culture, Hop is the music.

This line of art and movement started with gangs and clubs like the Puerto Rican and the Ghetto Brothers. These groups organised street events to break the prejudices and boundaries amongst African-Americans. But then, it evolved over time into something beyond space and time. What has made hip-hop hippie and popular over the years is the successful combination of styles, techniques and expertise from all over the world? For one, DJ Kool Herc, in his time, developed the key DJ techniques presently used. In the early years, there was an equally rich blend of Jamaican and other African musical styles. Also, other genres of music like R&B, Jazz, funk and disco have all come together to form the unique sound of hip-hop.

Although at first, it seemed the whole gyrational culture was done by Africans for Africans, Hip-hop is now a revving artistry that belongs to the entire world.

THE NAME

Keith cowboyKeith “Cowboy” Wiggins, a member of Grandmaster Flash and the Furious Five, has been credited with coining the term in 1978 while teasing a friend who had just joined the US Army by scat singing the made-up words “hip/hop/hip/hop” in a way that mimicked the rhythmic cadence of marching soldiers. Cowboy later worked the “hip hop” cadence into his stage performance. The group frequently performed with disco artists who would refer to this new type of music by calling them “hip hoppers”. At first, people used it in derogatory ways but later, they associated it with the culture.

HIP HOP IN NIGERIA

In reaching the whole world, the hip-hop culture also spread its tentacles to Nigeria. How and when cannot be easily explained? But one thing is sure, Nigeria has always been an evolving site for music, culture and life. This is especially true in light of the music lovers and talented musicians that strive endlessly to make our indigenous tunes music in the ears of a global audience.

A research paper by Dr Yomi Olusegun Joseph does justice to the delineation of hip-hop as it goes down in Nigeria. He focuses primarily on the Yoruba tribe of Nigeria. Here is an excerpt:

The engagement of Yoruba youth in Nigerian hip hop (also known as Naija hip-hop or gbedu) may be seen as deconstructive, interrogating the normative drawing of sociality and citizenry in the adult-Nigerian space. But this deconstructive engagement also incorporates the primary desire of every hip-hop artist to construct individual ‘respect’ and relevance in the area of imaginative experimentations and entertainment, and ultimately to attain stardom.

This factor emphasizes a major difference between the ideological origins of hip-hop in the United States and Nigeria, for while it commenced as a channel of social criticism with a racial bent in the United States, it took off primarily as an entertainment outlet in Nigeria. It later became a youth channel of social criticism and transcultural group expression. Thus, the Yoruba contributions to Nigerian hip-hop necessarily embraced the marriage of local and Western imaginative resources to breed what often alarms the adult world as Kayeefı `: a bewildering mystery.

This notionally becomes the case because traditional culture and its pillars are reduced to recycled commodities in which the sacrosanct becomes tabooed, the communal becomes eroded, the ethical becomes outlawed and the ethnic becomes ‘postponed’.

Being Nigerian, in this regard, becomes an identity that shifts towards a feeling of being global and being a citizen, since the postmodern cultural mediation of the NHHN introduces new socio-cultural values that imaginatively ‘free’ youth from the limiting socio-political boundaries of the Nigerian nation-state and mono-ethnicity. In this manifestation, the Yoruba intervention in Nigerian hip hop becomes an exercise in artful transgression. One of the ways in which this exercise is carried out is through the relocation of familiar native folk songs, pithy sayings and proverbs from their customary habitats of ethnic veneration to a playful, postmodern arena of identity in which the customary is artistically and ethically ruptured.

olamide,hiphopThe elements of code-switching and code-mixing in this song (also common to songs by a number of Yoruba lead artists such as 9ice, D Banj, Olu Maintain, Lord of Ajasa, Weird MC, Sound Sultan, Jazzman Olofin, (the late) Dagrin, Olamide, eLDee, Davido, Bouqui, Sasha, Ara and Tiwa Savage) are statements of postcolonial ambivalence, a site which memorizes the past but insists on a transcultural identity in order to subvert the twin grand narratives of nativism and postcolonial national affiliation. 

It is instructive to note that the aesthetic and discursive experimentations of the Yoruba intervention in Nigerian hip-hop and the concentration of this activity in Lagos, the former capital city of Nigeria and Nigeria’s most cosmopolitan city, has evoked a youth culture with an amazing hybrid character. This hybridity negotiates a globalized reinvention of the Yoruba language and culture usable even by non-Yoruba hip-hop stars.

It must be noted that the mainstream language of Nigerian hip-hop is the Nigerian pidgin. However, since the Yoruba language enjoys the reputation of being largely de-ethnicized through an array of creative experimentations and transcultural social contraptions, Yoruba may well be seen as the indigenous-tongue ‘lingua franca’ of Nigerian hip-hop. This, however, does not mean that remarkable innovations do not occur in languages such as Igbo, Hausa, Efik, Idoma, and so on. Neither does it mean that Yoruba youths do not consume songs that are code-mixed and/or code-switched in English and non-Yoruba indigenous languages.

The fact, however, that most hip-hop activities and stars are based in Lagos has informed a development in which Yoruba enjoys the status of being the next most widespread and available language, coming close to Nigerian Pidgin and English. This naturally opens it up to a globalized imaginative stream of usages, which also cements youth solidarity within the Nigerian hip-hop cultural experience. Some notable non-Yoruba stars who have been known to use Yoruba in one creative form or the other include Ruggedman, Tuface, P Square, DJ Zeez, Terry G and Jesse Jagz.

Thematically, Yoruba-oriented hip hop casts itself within a geography of illimitable possibilities, ranging from the personal to the communal, from the private to the public, from the ethnic to the (inter)national, from the religious to the secular, from the subjective to the objective. Aesthetically, it explores arresting avenues of language use, proposes a synthetic relation with non-Yoruba cultures, epistemic temperaments, worldviews. It accommodates non-Yoruba participants within an arguable commonwealth of the linguistic, folkloric and philosophical hemisphere.

So this is quite an academic paper, one that is theoretical in nature. It goes a long way to show the kind of vibe that reels around the hip-hop world. Always stay on to your favourite hippie songs with www.vtpass.com. VTpass allows you convenience in paying for all and any of your everyday services. You can pay your electricity bills, DSTV, GOTV and STARTIMES subscriptions through www.vtpass.com. And you can also pay for your MTN, AIRTEL, GLO and 9MOBILE airtimes and data subscriptions on this online payment platform.

NIGERIA IS 57: CELEBRATE OUR INDEPENDENCE IN GRAND STYLE WITH VTPASS

Indeed, it’s been one hell of a long year for Nigeria. And rough too, very rough. For one, there were the president’s frequent absences from his seat, then the constant cases of kidnappings and random killings, a collapse of buildings, and massive economic and ethnic unrest. But, we made it through, and we are here now, stained, tattered, scarred but undivided, unashamed, and very fifty-seven.

At fifty-seven, we can’t say Nigeria has had it good all through, but we still can count our lucky stars. In spite of the various problems, Nigerians have turned out to be very resilient even in the face of grave situations. Without a doubt, where there is a problem, Nigerians have their way of finding interactive solutions to these problems. One such interactive solution has been www.vtpass.com. Vtpass.com has proven to be a problem solver by allowing for easy, quick payments of our phone airtimes, data subscriptions, cable TV subscriptions and electricity bills.

For this and more, Nigerians, and by extension, Nigerians deserve to celebrate and be happy. We have given our all into building this nation, and despite the lapses, we have never sunk below water. So, cheers to Nigerians and to Nigeria.

To celebrate this glorious independence, we, at vtpass.com, have compiled a list of celebrities, both Nigerian and non-Nigerian, who sang the Nigerian national anthem. This is to epitomise our resilience, strength of character and our openness to humour and fun in spite of anything.

Here goes it:

  1. 2FACE DOES A BEAUTIFUL REMIX OF THE NATIONAL ANTHEM

    3. NOW, IT GETS VERY EMOTIONAL AS BEYONCE SINGS THE NATIONAL ANTHEM IN APPRECIATION FOR RECEIVING HER WITH LOVE.

5. PRAIZ ALSO STEPS UP ON IT

6. AND HERE IS A LAST ONE. HERE, YOU JUST GET TO CRACK YOUR RIBS

WE AT VTPASS.COM ARE PROUDLY NAIJA AND WE WISH HER A HAPPY BIRTHDAY.

9mobile is the new Etisalat!

It is no longer news that Etisalat, the mobile telecommunication company mostly renowned for its fast and widespread network service, has been recently changed to 9MOBILE. Now, this is not just a re-branding. It is rather a revamping of its administration and logo (the whole butterfly thing, back then, that was good).

They have promised to be bigger, better and faster. This is the point where you find the service we offer at VTPass very well-timed. Follow 9mobile’s progress at your comfort zone. Log on to our site www.vtpass.com to pay for your 9mobile airtime and 9mobile data subscription.

Why Etisalat changed to 9mobile

So come to think of it, what is the main reason for the change? Boye Olusanya, the Chief Executive Officer of the new 9mobile, states the reason in a mild manner.   He says, in a speech, that “the telecommunication company has changed its name to 9mobile as a further testament of (its) unwavering commitment to ensuring business continuity as Nigeria’s fourth largest telecom operator. . . 9mobile represents our 0809ja heritage, our 9ja-centricity, and our evolution over 9 years of operations in Nigeria.”

AN EDO WOMAN IN THE MIDDLE OF A NINE, OLD ETISALAT AND NEW 9MOBILE
9MOBILE DEFENDS ITS 9JA-CENTRICITY

But obviously, there is an inside story to this. Not planning to leave us too long in the dark, the real reason for this change has been disclosed. But first, you may need to know that Etisalat Nigeria, as you know it, emerged as a merger between two countries, Nigeria and UAE. The companies are Emerging Markets Telecommunications Services Limited (EMTS) and Emirates Telecommunications Group Company (Etisalat Group) respectively. These two corporations have been working together to keep Etisalat Nigeria running. But the hiccup comes when the former takes a loan of $1.2 billion from thirteen Nigerian banks, only to find it increasingly difficult to pay back. This causes the Abu-Dhabi centred firm to part ways with its Nigerian partners with whom, erstwhile, it has helped groom a flourishing business for nine years.

Easy payment for your 9mobile services

No panic, though.

Whatever the ongoing steam, Vtpass.com, the leading online payment platform, is always on ground to help you stay on track. We help you in renewing your airtime account at all times. Not only that, you can pay for your cable TV subscriptions, Electricity bills and other payable services.

Whatever the situation, with VTPass.com, you can be sure to always get your 9mobile recharge bills and data subscriptions settled with just three easy steps.

At vtpass, we offer constant, consistent service when you need it.

You should log on to www.vtpass.com NOW.